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1 motion picture company
1) Общая лексика: кинокомпания2) Реклама: кинофирмаУниверсальный англо-русский словарь > motion picture company
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2 motion-picture company
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3 Motion Picture Patents Company
Trademark term: MPPCУниверсальный русско-английский словарь > Motion Picture Patents Company
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4 кинофирма
Advertising: film company, film-production company, motion picture company, movie company -
5 filmselskap
subst. film company subst. US: motion picture company, movie company -
6 кинокомпания
General subject: film company, motion picture company -
7 De Forest, Lee
SUBJECT AREA: Broadcasting, Electronics and information technology, Photography, film and optics, Recording, Telecommunications[br]b. 26 August 1873 Council Bluffs, Iowa, USAd. 30 June 1961 Hollywood, California, USA[br]American electrical engineer and inventor principally known for his invention of the Audion, or triode, vacuum tube; also a pioneer of sound in the cinema.[br]De Forest was born into the family of a Congregational minister that moved to Alabama in 1879 when the father became President of a college for African-Americans; this was a position that led to the family's social ostracism by the white community. By the time he was 13 years old, De Forest was already a keen mechanical inventor, and in 1893, rejecting his father's plan for him to become a clergyman, he entered the Sheffield Scientific School of Yale University. Following his first degree, he went on to study the propagation of electromagnetic waves, gaining a PhD in physics in 1899 for his thesis on the "Reflection of Hertzian Waves from the Ends of Parallel Wires", probably the first US thesis in the field of radio.He then joined the Western Electric Company in Chicago where he helped develop the infant technology of wireless, working his way up from a modest post in the production area to a position in the experimental laboratory. There, working alone after normal working hours, he developed a detector of electromagnetic waves based on an electrolytic device similar to that already invented by Fleming in England. Recognizing his talents, a number of financial backers enabled him to set up his own business in 1902 under the name of De Forest Wireless Telegraphy Company; he was soon demonstrating wireless telegraphy to interested parties and entering into competition with the American Marconi Company.Despite the failure of this company because of fraud by his partners, he continued his experiments; in 1907, by adding a third electrode, a wire mesh, between the anode and cathode of the thermionic diode invented by Fleming in 1904, he was able to produce the amplifying device now known as the triode valve and achieve a sensitivity of radio-signal reception much greater than possible with the passive carborundum and electrolytic detectors hitherto available. Patented under the name Audion, this new vacuum device was soon successfully used for experimental broadcasts of music and speech in New York and Paris. The invention of the Audion has been described as the beginning of the electronic era. Although much development work was required before its full potential was realized, the Audion opened the way to progress in all areas of sound transmission, recording and reproduction. The patent was challenged by Fleming and it was not until 1943 that De Forest's claim was finally recognized.Overcoming the near failure of his new company, the De Forest Radio Telephone Company, as well as unsuccessful charges of fraudulent promotion of the Audion, he continued to exploit the potential of his invention. By 1912 he had used transformer-coupling of several Audion stages to achieve high gain at radio frequencies, making long-distance communication a practical proposition, and had applied positive feedback from the Audion output anode to its input grid to realize a stable transmitter oscillator and modulator. These successes led to prolonged patent litigation with Edwin Armstrong and others, and he eventually sold the manufacturing rights, in retrospect often for a pittance.During the early 1920s De Forest began a fruitful association with T.W.Case, who for around ten years had been working to perfect a moving-picture sound system. De Forest claimed to have had an interest in sound films as early as 1900, and Case now began to supply him with photoelectric cells and primitive sound cameras. He eventually devised a variable-density sound-on-film system utilizing a glow-discharge modulator, the Photion. By 1926 De Forest's Phonofilm had been successfully demonstrated in over fifty theatres and this system became the basis of Movietone. Though his ideas were on the right lines, the technology was insufficiently developed and it was left to others to produce a system acceptable to the film industry. However, De Forest had played a key role in transforming the nature of the film industry; within a space of five years the production of silent films had all but ceased.In the following decade De Forest applied the Audion to the development of medical diathermy. Finally, after spending most of his working life as an independent inventor and entrepreneur, he worked for a time during the Second World War at the Bell Telephone Laboratories on military applications of electronics.[br]Principal Honours and DistinctionsInstitute of Electronic and Radio Engineers Medal of Honour 1922. President, Institute of Electronic and Radio Engineers 1930. Institute of Electrical and Electronics Engineers Edison Medal 1946.Bibliography1904, "Electrolytic detectors", Electrician 54:94 (describes the electrolytic detector). 1907, US patent no. 841,387 (the Audion).1950, Father of Radio, Chicago: WIlcox \& Follett (autobiography).De Forest gave his own account of the development of his sound-on-film system in a series of articles: 1923. "The Phonofilm", Transactions of the Society of Motion Picture Engineers 16 (May): 61–75; 1924. "Phonofilm progress", Transactions of the Society of Motion Picture Engineers 20:17–19; 1927, "Recent developments in the Phonofilm", Transactions of the Society of Motion Picture Engineers 27:64–76; 1941, "Pioneering in talking pictures", Journal of the Society of Motion Picture Engineers 36 (January): 41–9.Further ReadingG.Carneal, 1930, A Conqueror of Space (biography).I.Levine, 1964, Electronics Pioneer, Lee De Forest (biography).E.I.Sponable, 1947, "Historical development of sound films", Journal of the Society of Motion Picture Engineers 48 (April): 275–303 (an authoritative account of De Forest's sound-film work, by Case's assistant).W.R.McLaurin, 1949, Invention and Innovation in the Radio Industry.C.F.Booth, 1955, "Fleming and De Forest. An appreciation", in Thermionic Valves 1904– 1954, IEE.V.J.Phillips, 1980, Early Radio Detectors, London: Peter Peregrinus.KF / JW -
8 Jenkins, Charles Francis
[br]b. 1867 USAd. 1934 USA[br]American pioneer of motion pictures and television.[br]During the early years of the motion picture industry, Jenkins made many innovations, including the development in 1894 of his own projector, the "Phantoscope", which was widely used for a number of years. In the same year he also suggested the possibility of electrically transmitting pictures over a distance, an interest that led to a lifetime of experimentation. As a result of his engineering contributions to the practical realization of moving pictures, in 1915 the National Motion Picture Board of Trade asked him to chair a committee charged with establishing technical standards for the industry. This in turn led to his proposing the creation of a professional society for those engineers in the industry, and the following year the Society of Motion Picture Engineers (later to become the Society of Motion Picture and Television Engineers) was formed, with Jenkins as its first President. Soon after this he began experiments with mechanical television, using both the Nipkow hole-spiral disc and a low-definition system of his own, based on rotating bevelled glass discs (his so-called "prismatic rings") and alkali-metal photocells. In the 1920s he gave many demonstrations of mechanical television, including a cable transmission of a crude silhouette of President Harding from Washington, DC, to Philadelphia in 1923 and a radio broadcast from Washington in 1928. The following year he formed the Jenkins Television Company to make television transmitters and receivers, but it soon went into debt and was acquired by the de Forest Company, from whom RCA later purchased the patents.[br]Principal Honours and DistinctionsFirst President, Society of Motion Picture Engineers 1916.Bibliography1923, "Radio photographs, radio movies and radio vision", Transactions of the Society of Motion Picture Engineers 16:78.1923, "Recent progress in the transmission of motion pictures by radio", Transactions ofthe Society of Motion Picture Engineers 17:81.1925, "Radio movies", Transactions of the Society of Motion Picture Engineers 21:7. 1930, "Television systems", Journal of the Society of Motion Picture Engineers 15:445. 1925. Vision by Radio.Further ReadingJ.H.Udelson, 1982, The Great Television Race: A History of the American Television Industry, 1925–41: University of Alabama Press.R.W.Hubbell, 1946, 4,000 Years of Television, London: G.Harrap \& Sons.1926. "The Jenkins system", Wireless World 18: 642 (contains a specific account of Jenkins's work).KFBiographical history of technology > Jenkins, Charles Francis
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9 productor
adj.productive, producing.m.1 producer, maker.2 producer.* * *► adjetivo1 producing► nombre masculino,nombre femenino1 producer* * *(f. - productora)noun* * *productor, -a1. ADJ1) (Com, Agr) producing2) (Cine, TV, Mús) production antes de s2. SM / F1) (Com) producer; (Agr) producer, growerlos productores de vino — wine producers o growers
2) (Cine, TV) producerproductor(a) asociado/a — associate producer
productor(a) ejecutivo/a — executive producer
3) (=obrero) labourer* * *I- tora adjetivo1) (Agr, Com) producing (before n)2) (Cin, TV) production (before n)II- tora masculino, femenino1) (Com) producer; (Agr) producer, grower2) (Cin, TV)a) ( persona) producerb) productora femenino ( empresa) production company* * *I- tora adjetivo1) (Agr, Com) producing (before n)2) (Cin, TV) production (before n)II- tora masculino, femenino1) (Com) producer; (Agr) producer, grower2) (Cin, TV)a) ( persona) producerb) productora femenino ( empresa) production company* * *productor11 = developer, producer, producer, production company, emanating body.Ex: Packages are used by many clients of the developer, and this very fact can lead to many benefits.
Ex: For some categories of materials it can be difficult to distinguish publishers from distributors and/or producers.Ex: A producer is the person with final responsibility for the making of a motion picture, including business aspects, management of the production, and the commercial success of the film.Ex: The production company is the organization that determines the content and form of a motion picture and is responsible for its manufacture or production.Ex: Some libraries with greater financial resources may opt for obtaining material direct from the emanating body as being more reliable and cheaper in the long run.* Asociación Americana de Productores Cinematográficos = Motion Picture Association of America.* Comité de las Organizaciones de Productores Agr = Committee of Agricultural Producer Organizations (COPA).* país productor de información científica = science producer.* precio del productor = producer price.* productora cinematográfica = film company.* productor de aplicaciones informáticas = application(s) developer.* productor de bases de datos = database producer.* productor de cine = film maker [filmmaker/film-maker], moviemaker [movie maker].* productor de lana = wool producer.* productor de software = software house, software producer.* productor de vídeo = videographer.* productor de vídeos = video developer.* productor de vino = winemaker.productor22 = originating.Ex: Refinements allow the user to search for: the originating agency; the date of exposure; the image format; the cloud cover; satellite; etc..
* productor de bienes = goods-producing.* * *países productores de café coffee-producing countriesla compañía productora the production companymasculine, feminineproductor de vino winemakerB ( Cin, TV)1 (persona) producer2* * *
productor◊ - tora adjetivo
producing ( before n)
■ sustantivo masculino, femenino
b)
productor,-ora
I adjetivo producing: Venezuela es un país productor de petróleo, Venezuela is an oil-producing country
II sustantivo masculino y femenino producer
' productor' also found in these entries:
Spanish:
productora
- bodeguero
English:
producer
- wine
* * *productor, -ora♦ adjproducing;país productor de petróleo oil-producing country;células productoras de dopamina dopamine-producing cells♦ nm,f1. [fabricante] producer;productores de papel paper manufacturers2. [de productos agrícolas] farmer;productores de plátanos banana growers;productores agrícolas farmers3. [en cine, televisión] producer* * *I adj producing atr ;país productor de petróleo/café oil-producing/coffee-producing country, oil/coffee producerII m, productora f producer* * *: producer* * *productor n producer -
10 productor1
1 = developer, producer, producer, production company, emanating body.Ex. Packages are used by many clients of the developer, and this very fact can lead to many benefits.Ex. For some categories of materials it can be difficult to distinguish publishers from distributors and/or producers.Ex. A producer is the person with final responsibility for the making of a motion picture, including business aspects, management of the production, and the commercial success of the film.Ex. The production company is the organization that determines the content and form of a motion picture and is responsible for its manufacture or production.Ex. Some libraries with greater financial resources may opt for obtaining material direct from the emanating body as being more reliable and cheaper in the long run.----* Asociación Americana de Productores Cinematográficos = Motion Picture Association of America.* Comité de las Organizaciones de Productores Agr = Committee of Agricultural Producer Organizations (COPA).* país productor de información científica = science producer.* precio del productor = producer price.* productora cinematográfica = film company.* productor de aplicaciones informáticas = application(s) developer.* productor de bases de datos = database producer.* productor de cine = film maker [filmmaker/film-maker], moviemaker [movie maker].* productor de lana = wool producer.* productor de software = software house, software producer.* productor de vídeo = videographer.* productor de vídeos = video developer.* productor de vino = winemaker. -
11 Dickson, William Kennedy Laurie
SUBJECT AREA: Photography, film and optics[br]b. August 1860 Brittany, Franced. 28 September 1935 Twickenham, England[br]Scottish inventor and photographer.[br]Dickson was born in France of English and Scottish parents. As a young man of almost 19 years, he wrote in 1879 to Thomas Edison in America, asking for a job. Edison replied that he was not taking on new staff at that time, but Dickson, with his mother and sisters, decided to emigrate anyway. In 1883 he contacted Edison again, and was given a job at the Goerk Street laboratory of the Edison Electric Works in New York. He soon assumed a position of responsibility as Superintendent, working on the development of electric light and power systems, and also carried out most of the photography Edison required. In 1888 he moved to the Edison West Orange laboratory, becoming Head of the ore-milling department. When Edison, inspired by Muybridge's sequence photographs of humans and animals in motion, decided to develop a motion picture apparatus, he gave the task to Dickson, whose considerable skills in mechanics, photography and electrical work made him the obvious choice. The first experiments, in 1888, were on a cylinder machine like the phonograph, in which the sequence pictures were to be taken in a spiral. This soon proved to be impractical, and work was delayed for a time while Dickson developed a new ore-milling machine. Little progress with the movie project was made until George Eastman's introduction in July 1889 of celluloid roll film, which was thin, tough, transparent and very flexible. Dickson returned to his experiments in the spring of 1891 and soon had working models of a film camera and viewer, the latter being demonstrated at the West Orange laboratory on 20 May 1891. By the early summer of 1892 the project had advanced sufficiently for commercial exploitation to begin. The Kinetograph camera used perforated 35 mm film (essentially the same as that still in use in the late twentieth century), and the kinetoscope, a peep-show viewer, took fifty feet of film running in an endless loop. Full-scale manufacture of the viewers started in 1893, and they were demonstrated on a number of occasions during that year. On 14 April 1894 the first kinetoscope parlour, with ten viewers, was opened to the public in New York. By the end of that year, the kinetoscope was seen by the public all over America and in Europe. Dickson had created the first commercially successful cinematograph system. Dickson left Edison's employment on 2 April 1895, and for a time worked with Woodville Latham on the development of his Panoptikon projector, a projection version of the kinetoscope. In December 1895 he joined with Herman Casier, Henry N.Marvin and Elias Koopman to form the American Mutoscope Company. Casier had designed the Mutoscope, an animated-picture viewer in which the sequences of pictures were printed on cards fixed radially to a drum and were flipped past the eye as the drum rotated. Dickson designed the Biograph wide-film camera to produce the picture sequences, and also a projector to show the films directly onto a screen. The large-format images gave pictures of high quality for the period; the Biograph went on public show in America in September 1896, and subsequently throughout the world, operating until around 1905. In May 1897 Dickson returned to England and set up as a producer of Biograph films, recording, among other subjects, Queen Victoria's Diamond Jubilee celebrations in 1897, Pope Leo XIII in 1898, and scenes of the Boer War in 1899 and 1900. Many of the Biograph subjects were printed as reels for the Mutoscope to produce the "what the butler saw" machines which were a feature of fairgrounds and seaside arcades until modern times. Dickson's contact with the Biograph Company, and with it his involvement in cinematography, ceased in 1911.[br]Further ReadingGordon Hendricks, 1961, The Edison Motion Picture Myth.—1966, The Kinetoscope.—1964, The Beginnings of the Biograph.BCBiographical history of technology > Dickson, William Kennedy Laurie
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12 imagen
f.1 image (figura).a imagen y semejanza de identical to, exactly the same asser la viva imagen de alguien to be the spitting image of somebody2 picture (television).imágenes de archivo library picturesimágenes del partido/de la catástrofe pictures of the game/the disaster3 image.los casos de corrupción han deteriorado la imagen del gobierno the corruption scandals have tainted the image of the governmenttener buena/mala imagen to have a good/bad imageimagen corporativa o de empresa corporate imageimagen de marca brand image4 statue (estatua).5 image (literature).* * *1 image2 TELEVISIÓN picture\ser la viva imagen de alguien to be the spitting image of somebody* * *noun f.* * *SF1) (Fot, Ópt) image; (=en foto, dibujo, TV) picturelas imágenes del accidente — the pictures o images of the accident
2) (=reflejo) reflectionle gustaba contemplar su imagen en el espejo — he liked looking at himself o at his reflection in the mirror
- a la imagen y semejanza de unoun campeonato a imagen y semejanza de los que se celebran en Francia — a championship of exactly the same kind as those held in France
es la viva imagen de la felicidad — she is happiness personified, she is the picture of happiness
3) (=representación mental) image, picturetenía otra imagen de ti — I had a different image o picture of you
4) (=aspecto) image5) (Rel) [de madera, pintura] image; [de piedra] statue6) (Literat) (=metáfora) image* * *1)a) (Fís, Ópt) image; (TV) picture, imageb) ( foto) picturec) ( en espejo) reflectiona su imagen y semejanza — in his/her own image
d) ( en la mente) picture2) (de político, cantante, país) image4) (Lit) image* * *2 = persona [personae, -pl.], image, record, stature, profile, street cred, street credibility.Ex. In his early years he consciously emulated both the painterly style and persona of the much-admired artist Drouais, who became something of a cult figure in early 19th c. Paris.Ex. As she tried to figure out how to change her and the library's image, she made some interesting observations.Ex. She urges a boycott of California as a library conference venue until the state improves its current record of the worst school library provision in the US.Ex. Merely having the materials available will not provide the desired boost to the library's stature unless the collection is exceptional.Ex. There is also a further dilemma concerning formats such as film and audio which have tended to receive a lower profile in the library world (too awkward, too cluttered with copyright restrictions, too technically instable).Ex. Barack Hussein Obama has lost a lot of street cred with the country as of late, but maybe not in his world.Ex. These robbers carry out their vicious attacks for 'kicks' and street credibility rather than cash, a chilling study reveals.----* adoptar una imagen = put on + image.* arruinar + Posesivo + imagen = ruin + Posesivo + style, cramp + Posesivo + style.* borrar una imagen = eradicate + image.* cambio de imagen = makeover [make-over].* creador de imagen = image maker.* crear una imagen = build + an image, create + image.* dar la imagen = give + the impression that.* dar una imagen = convey + image, present + picture, paint + a picture, present + an image, present + a picture.* dar una imagen de = give + an impression of.* difundir buena imagen de = earn + credit for.* difundir la imagen = spread + the good word, pass on + the good word.* estropear + Posesivo + imagen = ruin + Posesivo + style, cramp + Posesivo + style.* evocar una imagen de = conjure up + an image of, conjure up + a vision of.* imagen comercial = brand image.* imagen corporativa = corporate image.* imagen crediticia = credit standing.* imagen de la biblioteca = library's profile.* imagen de uno mismo = self-presentation, body image.* imagen pública = public image.* mejorar + Posesivo + imagen = raise + Posesivo + profile, smarten up + Posesivo + image, enhance + Posesivo + identity, enhance + Posesivo + image, buff up + Posesivo + image.* ofrecer una imagen = present + picture.* presentar una imagen = present + picture, paint + a picture, present + an image.* problema de imagen = image problem.* proyectar imagen = project + image.* ser la imagen de = be a picture of.* * *1)a) (Fís, Ópt) image; (TV) picture, imageb) ( foto) picturec) ( en espejo) reflectiona su imagen y semejanza — in his/her own image
d) ( en la mente) picture2) (de político, cantante, país) image4) (Lit) image* * *imagen11 = frame, image, picture, shot.Ex: The microfiche is a common form for catalogues and indexes, usually 208 or 270 frames per fiche, in a piece of film and with a reduction ratio of 42 or 48:1.
Ex: A motion picture is a length of film, with or without recorded sound, bearing a sequence of images that create the illusion of movement when projected in rapid succession.Ex: No pretence is made of their being either a balanced or complete picture of the article.Ex: Each video shot is logged using text descriptions, audio dialogue, and cinematic attributes.* almacenamiento de imágenes = image archiving, image storage.* archivo de imágenes = image archiving, picture file.* avance rápido de imágenes = fast motion.* banco de imágenes = image bank.* basado en imágenes gráficas = graphics-based.* basado en las imágenes = image intensive.* base de datos de imágenes = image database, image bank.* calidad de la imagen = picture quality.* capacidad de interpretar imágenes = visual literacy.* captura de imágenes = image capture, image capturing.* catalogación de imágenes = image cataloguing.* centrado en las imágenes = image intensive.* composición de imágenes = image setting.* congelación de la imagen = freeze-frame.* congelar una imagen = freeze + frame.* con imágenes en movimiento = animated.* con muchas imágenes = image intensive.* creación de imágenes digitales = digital imaging.* crear una imagen = summon up + image.* diagnóstico por imagen = diagnostic imaging.* digitalización de imágenes = electronic imaging.* digitalización electrónica de imágenes = electronic imaging.* digitalizador de imágenes = image scanner.* doble imagen = ghosting.* documento de imagen en movimiento = moving image document.* fichero de imágenes = graphic file, image file.* fijador de imágenes = image setter.* gestión de imágenes = imaging, image-handling, image management.* gestión de imágenes de documentos = document image management.* gestión de imágenes digitales = digital imaging, digital image management.* gestión de imágenes electrónicas = electronic image management.* gestión de imágenes por ordenador = computer imaging.* habilidad de interpretar imágenes = visual literacy.* imagen a imagen = shot by shot.* imagen animada = moving picture.* imagen del pasado = flashback [flash back].* imagen de pantalla = screen shot [screen-shot].* imagen de satélite = satellite image.* imagen de vídeo = video image.* imagen digital = digital image.* imagen digital de un documento = digital image document.* imagen digitalizada = facsimile image.* imagen distorsionada = distorted picture, distorted image.* imagen en color = colour image.* imagen en miniatura = thumbnail, thumbnail image.* imagen en movimiento = moving image, animated image.* imágenes = imaging, imagery, video data, image data.* imagen escaneada = paper image.* imágenes digitales = digital imagery.* imágenes en movimiento = animation.* imágenes por ordenador = computer graphics.* imágenes vía satélite = satellite imagery, satellite image data.* imágenes y sonidos = sights and sounds.* imagen fija = still, still image, still-picture, film still, movie still.* imagen fotográfica = photographic image.* imagen gráfica = graphic image.* imagen mental = mental picture.* imagen negativa = negative image.* imagen visual = visual image.* periodista reportero de imágenes = video journalist.* que contiene muchas imágenes = image intensive.* realce de imágenes = image-enhancement.* reconocimiento de imágenes = image recognition.* reconocimiento de imágenes por el ordenador = computer vision.* recuperación de imágenes = image retrieval.* recuperación de imágenes digitales = digital image retrieval.* recuperación de imágenes fotográficas = picture retrieval.* recuperación de imágenes por el contenido = content-based image retrieval.* reportero de imágenes = video journalist.* sistema basado en las imágenes = image-based system.* sistema de gestión de imágenes = imaging system, image-based system, image management system.* sistema de proceso de imágenes = imaging system.* sistema de recuperación de imágenes = image retrieval system.* sistema de tratamiento de imágenes = image processing system.* tecnología para la creación de imágenes digitales = digital imaging technology.* tratamiento de imágenes = image processing.* Tratamiento de Imágenes de Documentos (DIP) = Document Image Processing (DIP).* una imagen vale más que mil palabras = a picture is worth more than ten thousand words.* una imagen vale mil palabras = every picture tells a story.* vídeo de imágenes fijas = image video.* visor de imagen = view finder.* visualización de imágenes = image display.2 = persona [personae, -pl.], image, record, stature, profile, street cred, street credibility.Ex: In his early years he consciously emulated both the painterly style and persona of the much-admired artist Drouais, who became something of a cult figure in early 19th c. Paris.
Ex: As she tried to figure out how to change her and the library's image, she made some interesting observations.Ex: She urges a boycott of California as a library conference venue until the state improves its current record of the worst school library provision in the US.Ex: Merely having the materials available will not provide the desired boost to the library's stature unless the collection is exceptional.Ex: There is also a further dilemma concerning formats such as film and audio which have tended to receive a lower profile in the library world (too awkward, too cluttered with copyright restrictions, too technically instable).Ex: Barack Hussein Obama has lost a lot of street cred with the country as of late, but maybe not in his world.Ex: These robbers carry out their vicious attacks for 'kicks' and street credibility rather than cash, a chilling study reveals.* adoptar una imagen = put on + image.* arruinar + Posesivo + imagen = ruin + Posesivo + style, cramp + Posesivo + style.* borrar una imagen = eradicate + image.* cambio de imagen = makeover [make-over].* creador de imagen = image maker.* crear una imagen = build + an image, create + image.* dar la imagen = give + the impression that.* dar una imagen = convey + image, present + picture, paint + a picture, present + an image, present + a picture.* dar una imagen de = give + an impression of.* difundir buena imagen de = earn + credit for.* difundir la imagen = spread + the good word, pass on + the good word.* estropear + Posesivo + imagen = ruin + Posesivo + style, cramp + Posesivo + style.* evocar una imagen de = conjure up + an image of, conjure up + a vision of.* imagen comercial = brand image.* imagen corporativa = corporate image.* imagen crediticia = credit standing.* imagen de la biblioteca = library's profile.* imagen de uno mismo = self-presentation, body image.* imagen pública = public image.* mejorar + Posesivo + imagen = raise + Posesivo + profile, smarten up + Posesivo + image, enhance + Posesivo + identity, enhance + Posesivo + image, buff up + Posesivo + image.* ofrecer una imagen = present + picture.* presentar una imagen = present + picture, paint + a picture, present + an image.* problema de imagen = image problem.* proyectar imagen = project + image.* ser la imagen de = be a picture of.* * *Adale más brillo a la imagen turn up the brightness2 (foto) picture3 (en un espejo) reflectioncontemplaba su imagen en el agua he was contemplating his reflection in the waterel espejo le devolvió una imagen triste y envejecida he saw a sad, aging face looking back at him in the mirrora su imagen y semejanza: Dios creó al hombre a su imagen y semejanza God created man in his own imagelas ha educado a su imagen y semejanza she has brought them up to be just like herser la viva or misma imagen de algn/algo: es la misma imagen de su padre he's the spitting image of his father ( colloq), he's exactly like his fatheres la viva imagen del entusiasmo he's enthusiasm itself o enthusiasm personified4 (en la mente) picturesólo conservo una imagen muy borrosa de él I only have a very vague picture in my mind of him o a very vague memory of himtenía una imagen muy distinta del lugar I had a very different mental image o picture of the placetenía una imagen confusa de lo ocurrido his idea o memory of what had happened was confusedCompuestos:mirror imagevirtual imageB (de un político, cantante, país) imagequiere proyectar una imagen renovada she wants to project a new imagesu imagen se ha visto afectada por estas derrotas his image has suffered as a result of these defeatsD ( Lit) imagelas imágenes en su poesía the images o imagery in her poetry* * *
imagen sustantivo femenino
1a) (Fís, Ópt) image;
(TV) picture, image
◊ ser la viva imagen de algn to be the image of sb
2 (de político, cantante, país) image
imagen sustantivo femenino
1 image: es la viva imagen de su padre, he is the living image of his father
2 (efecto, impresión) image: ese fallo perjudicó la imagen de la empresa, the accident affected the company image
3 TV picture: vimos las imágenes del terremoto, we saw a television report on the earthquake
4 Rel Arte image, statue
' imagen' also found in these entries:
Spanish:
corresponderse
- definición
- definida
- definido
- deformar
- desvanecerse
- estampa
- lavado
- nitidez
- nublarse
- plástica
- plástico
- refleja
- reflejo
- registrar
- representación
- reproducir
- sugestiva
- sugestivo
- templete
- borrar
- borroso
- cambiar
- centrar
- claridad
- confuso
- fotografía
- impactante
- inversión
- invertido
- invertir
- múltiple
- nebuloso
- nítido
- reflejar
- reivindicar
- toma
English:
blank
- blur
- clear
- conjure
- illusion
- image
- lurid
- part
- picture
- project
- sharp
- valuable
- critically
- perception
- self
- zoom
* * *imagen nf1. [figura] image;su imagen se reflejaba en el agua she could see her reflection in the water;contemplaba su imagen en el espejo he was looking at his reflection in the mirror;su rostro era la pura imagen del sufrimiento her face was a picture of suffering;eran la imagen de la felicidad they were a picture of happiness;ser la viva imagen de alguien to be the spitting image of sb;a imagen y semejanza: Dios creó al hombre a su imagen y semejanza God created man in his own image;reconstruyeron el museo a imagen y semejanza del original they rebuilt the museum so that it looked just like the old one2. [en física] image;[televisiva] picture;las imágenes en movimiento the moving image;imágenes del partido/de la catástrofe pictures of the game/the disaster;una imagen vale más que mil palabras one picture is worth a thousand wordsimágenes de archivo archive o Br library pictures;imagen virtual virtual image3. [aspecto] image;necesitas un cambio de imagen you need a change of o a new image;tiene una imagen de intolerante she has the image of being an intolerant person;quieren proyectar una imagen positiva they want to project a positive image;tener buena/mala imagen to have a good/bad image;los casos de corrupción han deteriorado la imagen del gobierno the corruption scandals have tainted the image of the governmentimagen corporativa corporate identity;imagen de empresa corporate image;imagen de marca brand image;imagen pública public image4. [recuerdo] picture, image;guardo una imagen muy borrosa de mis abuelos I only have a very vague memory of my grandparents;tenía una imagen diferente del lugar I had a different picture o image of the place, I had pictured the place differentlyimagen mental mental image5. [estatua] statue6. [literaria] image;utiliza unas imágenes muy ricas she uses very rich imagery* * *f tb figimage;ser la viva imagen de be the spitting image of* * ** * *imagen n1. (en general) image2. (en televisión) picture -
13 film
1. n плёнка; тонкий слой2. n фотоплёнка; киноплёнкаphotographic film — фотографическая плёнка, фотоплёнка
roll film — роликовая фотоплёнка, рольфильм
3. n фильм, картина4. n кино, киноискусствоfilm people — кинематографисты, деятели кино
film writer — сценарист, кинодраматург
film company — кинокомпания, кинофирма
5. n лёгкий туман, дымка6. n тонкая нить7. n тех. перепонка, оболочка8. v снимать фильм; производить киносъёмки; снимать на киноплёнку9. v экранизировать10. v сниматься в кино; быть киноактёромcomputer-controlled film processor — проявочная машина, управляемая ЭВМ
11. v быть подходящим материалом для кино12. v покрывать плёнкой, оболочкой13. v покрываться плёнкой; застилаться дымкой, туманомСинонимический ряд:1. haze (noun) brume; fog; haze; mist; murk; smaze2. membrane (noun) coat; coating; fabric; gauze; integument; layer; membrane; pellicle; skin; thin layer; transparency3. movie (noun) animated film; cartoon; cine; cinema; dramatisation; dramatization; flick; motion picture; movie; moving picture; photoplay; picture; picture show; show; video4. make a motion picture (verb) capture; get on film; make a motion picture; record; shoot; videotape5. photographic medium (verb) color film; disc; infrared film; microfilm; negative; panchromatic film; photographic medium; video cassette -
14 obraz
m (G obrazu) 1. (malowidło) painting, picture- malować obrazy to paint pictures- obraz przedstawia wzburzone morze the painting depicts a stormy sea- obraz olejny an oil painting- obrazy kubistów cubist paintings- galeria obrazów a picture gallery- obraz pędzla Picassa a painting by Picasso2. (widok) sight, scene- każdego dnia widziałem z okna ten sam obraz every day I saw the same sight a. scene from my window3. (w pamięci, w wyobraźni) picture, image- wyobraźnia podsuwała mu obrazy letniego słońca i gorącego piasku he had images of summer sun and hot sand- wciąż mam jego obraz w pamięci I have a vivid picture of him on my mind4. (wyobrażenie) picture, view- aby mieć pełny obraz możliwości koncernu, należałoby się przyjrzeć jego inwestycjom to get a full picture of a company’s potential, one needs to take a close look at its investments- miał bardzo naiwny obraz rzeczywistości he had a very naive view of reality5. (ukazanie) depiction, view- książka ta przynosi karykaturalnie wykrzywiony obraz polskiej wsi the book gives a grotesquely distorted view of the Polish countryside- obraz epoki w filmie the film’s depiction of the epoch6. (na zdjęciu, ekranie) image, picture- obraz telewizyjny a television picture- poprawić ostrość obrazu to adjust the focus- obrazy z trzech kamer images from three cameras- obraz czarno-biały a black-and-white image7. (w sztuce, operze, balecie) scene 8. (film) film, picture, movie US□ obraz dyfrakcyjny Fiz. diffraction pattern- obraz kliniczny Med. clinical picture- obraz optyczny Fiz. optical image- obraz negatywowy Fot. negative- obraz pozorny Fiz. virtual image- obraz siatkówkowy Med. retinal image- obraz utajony Fot. latent image- święty obraz Relig. holy picture- żywy obraz przest. tableau vivant■ obraz nędzy i rozpaczy a sorry a. pitiful sight- na obraz i podobieństwo czegoś książk. in the image of sth- Bóg stworzył człowieka na swój obraz i podobieństwo God created man in His own image- patrzeć a. wpatrywać się w kogoś jak w obraz to think the world of sb, to dote on sb- piękny a. śliczny jak obraz (as) pretty as a picture- żywy obraz kogoś the very a. living image of sb; the spitting image of sb pot.* * *( malowidło) painting, picture; (widok, scena) sight; (opis: epoki, wypadków) picture; ( widok na ekranie) image, picture; ( film) film; FIZ, FOT imageżywy obraz kogoś — a living lub spitting image of sb
obraz nędzy i rozpaczy — pot a pitiful lub sorry sight
* * *mi1. (= malowidło) picture, painting; namalować obraz do a painting; galeria obrazów picture gallery; wpatrywać się w kogoś jak w obraz (= patrzeć z zachwytem) never to take one's eyes off sb; (= uwielbiać) look up to sb, set sb on a pedestal; przemawiał dziad do obrazu, a obraz do niego ani razu I may as well talk to the wall.2. (= wizerunek) image; obrazy z przeszłości images of the past; obrazy z młodości images of one's youth; (człowiek został stworzony) na obraz i podobieństwo Boga (man was created) in God's own image; obraz nędzy i rozpaczy sorry l. pitiful sight; żywy obraz kogoś living l. spitting image of sb.3. ( całość spraw) picture; obraz epoki picture of an epoch; mieć jasny obraz sytuacji have a clear picture of the situation; ogólny obraz sytuacji the big picture; przedstawiać pesymistyczny obraz czegoś paint a gloomy picture of sth; fałszować obraz misrepresent (kogoś/czegoś sb/sth); obraz kliniczny med. clinical l. nosological picture.5. techn. ( na ekranie) picture; obraz telewizyjny television picture; obraz kontrolny test pattern; częstotliwość odświeżania obrazu komp. refresh rate.6. film (= film) motion picture, movie, picture.7. fiz., fot., opt. (= zdjęcie) picture, image; obraz optyczny fiz. optical image; obraz pozorny opt. virtual image.The New English-Polish, Polish-English Kościuszko foundation dictionary > obraz
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15 cinematográfico
adj.cinematographic, cinematic, film, movie.* * *► adjetivo1 cinematographic■ la industria cinematográfica the film industry, US the movie industry* * *ADJ film antes de s, cinematographic frm* * *- ca adjetivo movie (before n), film (BrE) (before n)* * *= cinematographic, filmic, cinematic.Ex. This article reviews the many different types of film being produced today, and defines many cinematographic terms.Ex. Criteria adopted for selection of film include the filmic treatment of major literary or theatrical works, milestones in the history of national cinemas, and cinematically innovative and challenging works by newcomers.Ex. Each video shot is logged using text descriptions, audio dialogue, and cinematic attributes.----* adaptación al cine, adaptación cinematográfica = film adaptation.* análisis cinematográfico = film analysis.* Asociación Americana de Productores Cinematográficos = Motion Picture Association of America.* crítica cinematográfica = cinematic criticism, film criticism.* dirección cinematográfica = film direction.* director cinematográfico = film director.* estudio cinematográfico = film location, film studio.* industria cinematográfica, la = film making industry, the, film industry, the, movie industry, the.* laboratorio cinematográfico = film laboratory.* producción cinematográfica = film making [filmmaking].* productora cinematográfica = film company.* proyección cinematográfica = cinematographic projection, film projection.* * *- ca adjetivo movie (before n), film (BrE) (before n)* * *= cinematographic, filmic, cinematic.Ex: This article reviews the many different types of film being produced today, and defines many cinematographic terms.
Ex: Criteria adopted for selection of film include the filmic treatment of major literary or theatrical works, milestones in the history of national cinemas, and cinematically innovative and challenging works by newcomers.Ex: Each video shot is logged using text descriptions, audio dialogue, and cinematic attributes.* adaptación al cine, adaptación cinematográfica = film adaptation.* análisis cinematográfico = film analysis.* Asociación Americana de Productores Cinematográficos = Motion Picture Association of America.* crítica cinematográfica = cinematic criticism, film criticism.* dirección cinematográfica = film direction.* director cinematográfico = film director.* estudio cinematográfico = film location, film studio.* industria cinematográfica, la = film making industry, the, film industry, the, movie industry, the.* laboratorio cinematográfico = film laboratory.* producción cinematográfica = film making [filmmaking].* productora cinematográfica = film company.* proyección cinematográfica = cinematographic projection, film projection.* * *cinematográfico -ca* * *
cinematográfico◊ -ca adjetivo
movie ( before n), film (BrE) ( before n)
cinematográfico,-a adjetivo cinematographic
industria cinematográfica, film o US movie industry
' cinematográfico' also found in these entries:
Spanish:
cinematográfica
- western
- guion
English:
known
- news
* * *cinematográfico, -a adjmovie, Br film;* * *adj movie atr* * *cinematográfico, -ca adj: movie, film, cinematicla industria cinematográfica: the film industry -
16 MP
1) Общая лексика: многоцелевой, универсальный2) Компьютерная техника: Macro Parameter, Management Processor, Mini Profile, Multi Platform, Multi Processing, Multi Processor, Multiple Processor3) Морской термин: загрязнитель моря (Marine Pollutant( IMO cargo type classification))4) Медицина: макулярный пигмент, митогенный протеин, предварительное намагничивание (magnetization prepared)5) Американизм: Military Police6) Ботаника: Murmuring Pine7) Спорт: Magic Points, Mana Points, Might Play, Mile Point, Movement Penalty, Multi Player8) Латинский язык: Modus Ponens9) Военный термин: Machine Pistol, Manpack, Map Pack, Map Project, Marine police, Marshalling Points, Master Plan, Message Parser, Military Personnel, Mind Points, Minuteman platform, Mission Profile, Mobility Plus, Modular Powered, Movement Planner, Multi Purpose, main parachute, maintainability plan, maintenance package, maintenance panel, maintenance parts, maintenance period, maintenance plan, maintenance point, maintenance procedure, maintenance program, management package, marching pack, maritime patrol, master pilot, meeting point, military pay, military procurement, military property, mine planter, missile platform, missile positioning, mobilization plan, monitor panel, motion picture production, motor potential10) Техника: main propulsion, manpower, mean effective pressure, mean power, mean proportional, memorandum of partnership, mile-post, modulator, multiprocessor11) Шутливое выражение: Magic Packet, Mischievous Pease, Mr Piggy, Mystery Pog12) Химия: Metal Particle, Metal Particulate, Metal Poor13) Математика: математическое программирование (mathematical programming), мультипликативное свойство (multiplication property), наиболее мощный (критерий), проблема минимизации (minimization problem)14) Религия: Merry Part15) Железнодорожный термин: Union Pacific Railroad Company16) Юридический термин: Miscellaneous Proceeding, Missing Person, Moot Point, Mountain Patrol, Multi Profiling, Murder And Pillage, Mysterious Past, парламентарий (member of Parliament)17) Бухгалтерия: Money Pit18) Астрономия: Massive Protostar19) Биржевой термин: Market Place20) Ветеринария: Mud Puppies21) Грубое выражение: Manipulative Prostitute, Master Pervert, Motherfucking Perfect22) Дипломатический термин: член Европейского парламента23) Музыка: Mezzo Piano, Music Positive24) Политика: Mauritius25) Телекоммуникации: Mobile Processor, Multilink PPP26) Сокращение: Machine Pistole (Krimmi), compact sub machine gun (Germany; K), Manoeuvre Programmer, Manpower & Personnel (USAF), Marinha Portuguesa (Portugese Navy), Member of Parliament, Metal Particle (Tape), Metal-Piercing, Metropolitan Police, Military Police(man), Mission Planning, Mornarica Pjesadija (Croatian naval infantry), Moteur en Pylone (Pylon-mounted engine (France)), Multipole, Northern Mariana Islands, manufacturing and production, mass production, mounted police, multipurpose, Magnifying Power, Mandatory Protection, Manifold Pressure, Marginal Product, Membrane Potential, Memory Pointer, Minimal Protection, Monolithic Processor, Most Powerful27) Текстиль: Matched Pair28) Университет: My Problem29) Физика: Magnetic Particle, Medium Prismatic, Modal Particle, Multi Physics30) Физиология: Menstrual period, Metatarsal Phalanges, Mitochondria Points31) Электроника: Madhya Pradesh, Maximum Power, Multi Phonon, Multi Polarized32) Вычислительная техника: MultiProtocol, mathematical programming, microprocessor, (PPP) Multilink Protocol (MPPP, RFC 1990), MegaPIXEL (PIXEL, photo), Military Police (man), (контрольная) точка регулировки при профилактике33) Нефть: maximum pressure, давление на всасывании (manifold pressure), период технического обслуживания (maintenance period), порядок технического обслуживания (maintenance procedure), среднее давление (mean pressure)34) Картография: mooring post35) Банковское дело: почтовый перевод (mail payment), microprinting (средство предотвращения копирования чеков)36) Транспорт: Mopar Parts37) Пищевая промышленность: Medium Pizza, Melon Popper, More Pints38) Фирменный знак: Monolith Productions39) Экология: Monitoring Plan40) СМИ: Media Player, Motion Picture, Moving Picture, Multi Page, Multiple Part41) Деловая лексика: Main Product, Manual Pickup, Mass Produced, Means Of Production, Mechanical Perfection, Modes Of Production, Music Profits, член парламента (Великобритания, Member of Parliament)42) Глоссарий компании Сахалин Энерджи: mud pump, СД (medium pressure)43) Образование: Marking Period, module paper44) Инвестиции: mail payment45) Сетевые технологии: Message Passing, Modular Portal, Multi Point, Multi Protocol, multiprocessing, system multiprocessor system, мультипроцессорная обработка46) Полимеры: medium pressure, molded plate, molding pressure47) Программирование: Make Parameter, Multi Precision48) Автоматика: machine perception, machine power, measurement processor49) Контроль качества: Metrology Provision50) Океанография: Mini Plankton51) Безопасность: Message Protector52) Расширение файла: Multiple Processors, Movie (MPEG compressed), Massively Parallel (processing)53) Энергосистемы: market participant54) Нефть и газ: main pipeline, makeup pump, marshalling panel, TP, МН, магистральный нефтепровод55) Электротехника: main protection, metallized paper56) Майкрософт: пакет управления, management point57) Общественная организация: Mautner Project, Myelin Project58) Должность: Material For Promotion, More Pension59) Чат: Mom Pops60) НАСА: Massively Parallel, Minor Planet, Multifunction Panel61) Федеральное бюро расследований: Minneapolis Field Office62) Единицы измерений: Mega Pixels -
17 mp
1) Общая лексика: многоцелевой, универсальный2) Компьютерная техника: Macro Parameter, Management Processor, Mini Profile, Multi Platform, Multi Processing, Multi Processor, Multiple Processor3) Морской термин: загрязнитель моря (Marine Pollutant( IMO cargo type classification))4) Медицина: макулярный пигмент, митогенный протеин, предварительное намагничивание (magnetization prepared)5) Американизм: Military Police6) Ботаника: Murmuring Pine7) Спорт: Magic Points, Mana Points, Might Play, Mile Point, Movement Penalty, Multi Player8) Латинский язык: Modus Ponens9) Военный термин: Machine Pistol, Manpack, Map Pack, Map Project, Marine police, Marshalling Points, Master Plan, Message Parser, Military Personnel, Mind Points, Minuteman platform, Mission Profile, Mobility Plus, Modular Powered, Movement Planner, Multi Purpose, main parachute, maintainability plan, maintenance package, maintenance panel, maintenance parts, maintenance period, maintenance plan, maintenance point, maintenance procedure, maintenance program, management package, marching pack, maritime patrol, master pilot, meeting point, military pay, military procurement, military property, mine planter, missile platform, missile positioning, mobilization plan, monitor panel, motion picture production, motor potential10) Техника: main propulsion, manpower, mean effective pressure, mean power, mean proportional, memorandum of partnership, mile-post, modulator, multiprocessor11) Шутливое выражение: Magic Packet, Mischievous Pease, Mr Piggy, Mystery Pog12) Химия: Metal Particle, Metal Particulate, Metal Poor13) Математика: математическое программирование (mathematical programming), мультипликативное свойство (multiplication property), наиболее мощный (критерий), проблема минимизации (minimization problem)14) Религия: Merry Part15) Железнодорожный термин: Union Pacific Railroad Company16) Юридический термин: Miscellaneous Proceeding, Missing Person, Moot Point, Mountain Patrol, Multi Profiling, Murder And Pillage, Mysterious Past, парламентарий (member of Parliament)17) Бухгалтерия: Money Pit18) Астрономия: Massive Protostar19) Биржевой термин: Market Place20) Ветеринария: Mud Puppies21) Грубое выражение: Manipulative Prostitute, Master Pervert, Motherfucking Perfect22) Дипломатический термин: член Европейского парламента23) Музыка: Mezzo Piano, Music Positive24) Политика: Mauritius25) Телекоммуникации: Mobile Processor, Multilink PPP26) Сокращение: Machine Pistole (Krimmi), compact sub machine gun (Germany; K), Manoeuvre Programmer, Manpower & Personnel (USAF), Marinha Portuguesa (Portugese Navy), Member of Parliament, Metal Particle (Tape), Metal-Piercing, Metropolitan Police, Military Police(man), Mission Planning, Mornarica Pjesadija (Croatian naval infantry), Moteur en Pylone (Pylon-mounted engine (France)), Multipole, Northern Mariana Islands, manufacturing and production, mass production, mounted police, multipurpose, Magnifying Power, Mandatory Protection, Manifold Pressure, Marginal Product, Membrane Potential, Memory Pointer, Minimal Protection, Monolithic Processor, Most Powerful27) Текстиль: Matched Pair28) Университет: My Problem29) Физика: Magnetic Particle, Medium Prismatic, Modal Particle, Multi Physics30) Физиология: Menstrual period, Metatarsal Phalanges, Mitochondria Points31) Электроника: Madhya Pradesh, Maximum Power, Multi Phonon, Multi Polarized32) Вычислительная техника: MultiProtocol, mathematical programming, microprocessor, (PPP) Multilink Protocol (MPPP, RFC 1990), MegaPIXEL (PIXEL, photo), Military Police (man), (контрольная) точка регулировки при профилактике33) Нефть: maximum pressure, давление на всасывании (manifold pressure), период технического обслуживания (maintenance period), порядок технического обслуживания (maintenance procedure), среднее давление (mean pressure)34) Картография: mooring post35) Банковское дело: почтовый перевод (mail payment), microprinting (средство предотвращения копирования чеков)36) Транспорт: Mopar Parts37) Пищевая промышленность: Medium Pizza, Melon Popper, More Pints38) Фирменный знак: Monolith Productions39) Экология: Monitoring Plan40) СМИ: Media Player, Motion Picture, Moving Picture, Multi Page, Multiple Part41) Деловая лексика: Main Product, Manual Pickup, Mass Produced, Means Of Production, Mechanical Perfection, Modes Of Production, Music Profits, член парламента (Великобритания, Member of Parliament)42) Глоссарий компании Сахалин Энерджи: mud pump, СД (medium pressure)43) Образование: Marking Period, module paper44) Инвестиции: mail payment45) Сетевые технологии: Message Passing, Modular Portal, Multi Point, Multi Protocol, multiprocessing, system multiprocessor system, мультипроцессорная обработка46) Полимеры: medium pressure, molded plate, molding pressure47) Программирование: Make Parameter, Multi Precision48) Автоматика: machine perception, machine power, measurement processor49) Контроль качества: Metrology Provision50) Океанография: Mini Plankton51) Безопасность: Message Protector52) Расширение файла: Multiple Processors, Movie (MPEG compressed), Massively Parallel (processing)53) Энергосистемы: market participant54) Нефть и газ: main pipeline, makeup pump, marshalling panel, TP, МН, магистральный нефтепровод55) Электротехника: main protection, metallized paper56) Майкрософт: пакет управления, management point57) Общественная организация: Mautner Project, Myelin Project58) Должность: Material For Promotion, More Pension59) Чат: Mom Pops60) НАСА: Massively Parallel, Minor Planet, Multifunction Panel61) Федеральное бюро расследований: Minneapolis Field Office62) Единицы измерений: Mega Pixels -
18 Bibliografia
■ ADAMS, Les, y RAYNEY, Buck. Shoot’em-Ups. The Complete Reference Guide to Westerns of the Sound Era. New Rochelle, New York: Arlington House, 1978.■ ANDERSON, Lindsay. About John Ford. Londres: Plexus, 1981.■ ARESTE, Jose Maria. Pero….donde esta Willy? En busca de William Wyler. Madrid: Rialp, 1998.■ ASTRE, Georges-Albert, y HOARAU, Albert Patrick. Univers du western. Paris: Seghers, 1973.■ BELLIDO LOPEZ, Adolfo y NUNEZ SABIN, Pedro. Budd Boetticher. Un caminante solitario. Valencia: Filmoteca de la Generalitat, 1995.■ BINH, N.T. Joseph L. Mankiewicz. Madrid: Catedra, 1994.■ BOGDANOVICH, Peter (entrevistador). John Ford. Madrid: Fundamentos, 1983.■ BOGDANOVICH, Peter. Fritz Lang en America. Madrid: Fundamentos, 1984.■ BOUINEAU, Jean-Marc, CHARLOT, Alain, y FRIMBOIS, Jean-Pierre. Les 100 chefs-d’oeuvre du western. Alleur (Belgique): Marabout, 1989.■ BOURGET, Jean-Loup. John Ford. Paris: Rivages, 1990.■ BOURGOIN, Stephane. Roger Corman.Paris: Edilig, 1983.■ BOURGOIN, Stephane. Richard Fleischer. Paris: Edilig, 1986.■ BOURGOIN, Stephane y MERIGEAU, Pascal. Serie B. Paris: Edilig, 1983.■ BRANSON, Clark. Howard Hawks. A Jungian Study. Santa Barbara: Capa Press, 1987.■ BRION, Patrick. Richard Brooks. Paris: Chene, 1986.■ BUSCOMBE, Edward (ed.). The BFI Companion to the Western. London: Andre Deutsch/BFI Publishing, 1988.■ BUSCOMBE, Edward. Stagecoach. Londres, BFI, 1992.■ CASAS, Quim. El western. El genero americano. Barcelona: Paidos, 1994.■ CASAS, Quim. John Ford. El arte y la leyenda. Barcelona: Dirigido por, 1989.■ CASAS, Quim. Howard Hawks. La comedia de la vida. Barcelona: Dirigido por, 1998.■ CASAS, Quim. Fritz Lang. Madrid: Catedra, 1991.■ CHARLOT, Alain, FRIMBOIS, Jean-Pierre, y BOUINEAU, Jean-Marc. Les 100 chefs-d’oeuvre du western. Alleur (Belgique): Marabout, 1989.■ CIMENT, Gilles (director). John Huston. Paris: Positif-Rivages, 1988.■ CIMENT, Michel (entrevistador). Elia Kazan por Elia Kazan. Madrid: Fundamentos, 1987.COCCHI, John. The Westerns. A Picture Quiz Book. New York: Dover, 1976.COMA, Javier. Diccionario del western clasico. Barcelona: Plaza y Janes, 1992.COMAS, Angel. Lo esencial de Anthony Mann. Madrid: T & B, 2004.CORMAN, Roger (con Jim Jerome). How I Made a Hundred Movies in Hollywood and Never Lost a Dime. New York: Random House, 1990.CUEVAS, Efren. Elia Kazan. Madrid: Catedra, 2000.DIXON, Wheeler W. The “B” Directors. A Biographical Directory. Metuchen, New Jersey: The Scarecrow Press, 1985.DUMONT, Herve. Robert Siodmak. El maestro del cine negro. Madrid-San sebastian: Filmoteca Espanola, 1987.DUMONT, Herve. William Dieterle. Antifascismo y compromiso romantico. San Sebastian-Madrid: Filmoteca Espanola, 1994.DURGNAT, Raymond, y SIMMON, Scott. King Vidor, American. Berkeley: University of California Press, 1988.EDWARDS, Anne. The De Milles. An American Family. New York: Harry N. Abrams, 1988.ERICE, Victor y OLIVER, Jos. Nicholas Ray y su tiempo. Madrid: Filmoteca Espanola, 1986.FAGEN, Herb. The Encyclopedia of Westerns. Facts on File, 2003.FERNANDEZ-SANTOS, Angel. Mas alla del Oeste. Madrid: Ed. El Pais, 1988.FETROW, Alan G. Sound Films, 1927-1939. A United States Filmography. Jefferson, North Carolina: McFarland, 1992.FINLEY, Joel W. The Movie Directors Story. Londres: Octopus, 1985.FRENCH, Philip. Westerns. Aspects of a Movie Genre. New York: The Viking Press, 1973.FRIMBOIS, Jean-Pierre, BOUINEAU, Jean-Marc, y CHARLOT, Alain. Les 100 chefs d’oeuvre du western. Alleur (Belgique): Marabout, 1989.GALLAGHER, Tag. John Ford. The Man and His Films. Berkeley: University of California Press, 1986.GARFIELD, Brian. Western Films. A Complete Guide. New York: Da Capo, 1982.GEIST, Kenneth L. Pictures Will Talk. The Life & Films of Joseph L. Mankiewicz. New York: Scribner, 1978.GIULIANI, Pierre. Raoul Walsh. Paris: Edilig, 1986.GRIVEL, Daniele, y LACOURBE, Roland. Robert Wise. Paris: Edilig, 1985.HARDY, Phil. The Western. London: Aurum Press, Revised Edition, 1991.HAUSTRATE, Gaston. Arthur Penn. La vida se mueve. Valladolid: 39 Semana Internacional de Cine, 1994.HENRIET, G, y MAUDUY, J. Geographies du western. Une nation en marche. Paris: Nathan, 1989.HEREDERO, Carlos F. Sam Peckinpah. Madrid: Ediciones JC, 1982.HILLIER, Jim y WOLLEN, Peter (editores). Howard Hawks. American Artist. Londres: BFI, 1996.HITT, Jim. The American West from Fiction (1823-1976) into Film (1909-1986). Jefferson, North Carolina: McFarland, 1990.HOARAU, Albert-Patrick, y ASTRE, Georges-Albert. Univers du western. Paris: Seghers, 1973.HOLLAND, Ted. B Western Actors Encyclopedia. Facts, Photos and Filmographies for More than 250 Familiar Faces. Jefferson, North Carolina: McFarland, 1989.HURTADO, Jose A y LOSILLA, Carlos. Richard Fleischer, entre el cielo y el infierno..Valencia: Filmoteca de la Generalitat Valenciana, 1997.HUSTON, John. A libro abierto. Madrid: Espasa Calpe, 1986.JENSEN, Paul M. Fritz Lang. Madrid: JC, 1990.KAZAN, Elia. Mi vida. Madrid: Temas de Hoy, 1990.LACOURBE, Roland, y GRIVEL, Daniele. Robert Wise. Paris: Edilig, 1985.LARDIN, Ruben. Sam Peckinpah. Hermano perro. Valencia: Midons, 1988.LEEMAN, Sergio. Robert Wise on His Films. Los Angeles: Silman-James, 1995.LEUTRAT, Jean-Louis. Le Western. Archeologie d’un genre. Lyon: Presses Universitaires de Lyon, 1987.LEUTRAT, Jean-Louis. L’Alliance brisee. Le Western des annees 1920. Lyon: Presses Universitaires de Lyon, 1985.LEUTRAT, Jean-Louis. John Ford. La Prisonniere du desert. Paris: Adam Biro, 1990.LEUTRAT, J.-L., y LIANDRAT-GUIGUES, S. Les Cartes de l’ouest. Un genre cinematographique: le western. Paris: Armand Colin, 1990.LIANDRAT-GUIGUES, S, y LEUTRAT, J.-L. Les Cartes de l’ouest. Un genre cinematographique. Le western. Paris: Armand Colin, 1990.LOSILLA, Carlos y HURTADO, Jose A. Richard Fleischer, entre el cielo y el infierno. Valencia: Filmoteca de la Generalitat Valenciana, 1997.MAUDUY, J, y HENRIET, G. Geographies du western. Une nation en marche. Paris: Nathan, 1989.McBRIDE, Joseph y WILMINGTON, Michael. John Ford. Madrid: JC, 1984.McBRIDE, Joseph (entrevistador). Hawks segun Hawks. Madrid: Akal, 1988.McCARTY, John. The Films of John Huston. Secaucus: Citadel, 1987.McGEE, Mark Thomas. Roger Corman. The Best of the Cheap Acts. Jefferson: McFarland, 1988.McGOWAN, John J. J.P. McGowan. Biography of a Hollywood Pioneer. Jefferson, North Carolina: McFarland, 2005.MEMBA, Javier. La serie B. Madrid: T & B, 2006.MENDEZ-LEITE VON HAFE, Fernando. Fritz Lang. Barcelona: Daimon, 1980.MERIDA, Pablo. Michael Curtiz. Madrid: Catedra, 1996.MERIGEAU, Pascal y BOURGOIN, Stephane. Serie B. Paris: Edilig, 1983.MERIKAETXEBARRIA, Anton. Raoul Walsh…a lo largo del sendero. San Sebastian: Ttarttalo, 1996.NASH, Jay Robert, y ROSS, Stanley Ralph. The Motion Picture Guide. 1927-1983. Cinebooks, 1985NUNEZ SABIN, Pedro y BELLIDO LOPEZ, Adolfo. Budd Boetticher. Un caminante solitario. Valencia: Filmoteca de la Generalitat, 1995.OKUDA, Ted. Grand National, Producers Releasing Company, and Screen Guild/Lippert. Complete Filmographies with Studio Histories. Jefferson, North Carolina: McFarland, 1989.OLIVER, Jos y ERICE, Victor. Nicholas Ray y su tiempo. Madrid: Filmoteca Espanola, 1986.PARISH, James Robert, y PITTS, Michael R. The Great Western Pictures. Metuchen, New Jersey: The Scarecrow Press, 1976.PARISH, James Robert, y PITTS, Michael R. The Great Western Pictures II. Metuchen, New Jersey: The Scarecrow Press, 1988.PITTS, Michael R., y PARISH, James Robert. The Great Western Pictures. Metuchen, New Jersey: The Scarecrow Press, 1976.PITTS, Michael R., y PARISH, James Robert. The Great Western Pictures II. Metuchen, New Jersey: The Scarecrow Press, 1988.PLACE, J.A. The Western Films of John Ford. Secaucus: Citadel, 1974.PLACE, J.A. The Non-Western Films of John Ford. Secaucus: Citadel, 1979.RAINEY, Buck, y ADAMS, Les. Shoot’em-Ups. The Complete Reference Guide to Westerns of the Sound Era. New Rochelle, New York: Arlington House, 1978.REEMES, Dana M. Directed by Jack Arnold. Jefferson: McFarland, 1988.RIEUPEYROUT, Jean-Louis. La grande aventure du western. Du Far West a Hollywood (1894-1963). Paris: Ed, du Cerf, 1964.ROMERO GUILLEN, Maria Dolores. Las mujeres en el cine americano de Fritz Lang. Zaragoza: Mira, 2000.ROOS, Stanley Ralph, y NASH, Jay Robert. The Motion Picture Guide. 1927-1983. Cinebooks, 1985.SANCHEZ BIOSCA, Vicente (coordinador). Mas alla de la duda. El cine de Fritz Lang. Valencia: Universitat de Valencia,1992.SIEGEL, Don. A Siegel Film. An Autobiopraphy. London: Faber and Faber, 1993.SIMMON, Scott, y DURGNAT, Raymond. King Vidor, American. Berkeley: University of California Press, 1988.SIMMONS, Garner. Peckinpah. A Portrait in Montage. Austin: University of Texas Press, 1982.STOWELL, Peter. John Ford. Boston: Twayne, 1986.TCHERNIA, Pierre. 80 grands succes du Western. Casterman, 1989.THOMPSON, Frank T. William A. Wellman. San Sebastian: Filmoteca Espanola, 1993.URKIJO, Francisco javier. Sam Peckinpah. Madrid: Catedra, 1995.VARIOS. John Ford. Madrid: Fimoteca espanola, 1991.VARIOS. King Vidor. San Sebastian: Nosferatu, n. 31, 2004.VARIOS. Sam Fuller. San Sebastian: Nosferatu, n. 12, 1993.VARIOS. Jacques Tourneur. Paris: Camera/Stylo, 1986.VEILLON, Olivier-Rene. Le cinema americain. Les annees trente. Paris: Du Seuil, 1986.VEILLON, Olivier-Rene. Le cinema americain. Les annees cinquante. Paris: Du Seuil, 1984.VEILLON, Olivier-Rene. Le cinema americain. Les annees quatre-vingt. Paris: Du Seuil, 1988.WALSH, Raoul. Un demi-siecle a Hollywood. Memoires d’un cineaste. Paris: Calmann-Levy, 1976)WILMINGTON, Michael y McBRIDE, Joseph. John Ford. Madrid: JC, 1984.WOLLEN, Peter y HILLIER, Jim (editores). Howard Hawks. American Artist. Londres: BFI, 1996.WOOD, Robin. Howard Hawks. Madrid: JC, 1982.ZINNEMANN, Fred. A Life in the Movies. New York: Scribner, 1992.ZUMALDE, Imanol. Paisajes del odio. El dispositivo espacial de Centauros del desierto. Valencia: Universitat de Valencia, 1995. -
19 Muybridge, Eadweard
SUBJECT AREA: Photography, film and optics[br]b. 9 April 1830 Kingston upon Thames, Englandd. 8 May 1904 Kingston upon Thames, England[br]English photographer and pioneer of sequence photography of movement.[br]He was born Edward Muggeridge, but later changed his name, taking the Saxon spelling of his first name and altering his surname, first to Muygridge and then to Muybridge. He emigrated to America in 1851, working in New York in bookbinding and selling as a commission agent for the London Printing and Publishing Company. Through contact with a New York daguerreotypist, Silas T.Selleck, he acquired an interest in photography that developed after his move to California in 1855. On a visit to England in 1860 he learned the wet-collodion process from a friend, Arthur Brown, and acquired the best photographic equipment available in London before returning to America. In 1867, under his trade pseudonym "Helios", he set out to record the scenery of the Far West with his mobile dark-room, christened "The Flying Studio".His reputation as a photographer of the first rank spread, and he was commissioned to record the survey visit of Major-General Henry W.Halleck to Alaska and also to record the territory through which the Central Pacific Railroad was being constructed. Perhaps because of this latter project, he was approached by the President of the Central Pacific, Leland Stanford, to attempt to photograph a horse trotting at speed. There was a long-standing controversy among racing men as to whether a trotting horse had all four hooves off the ground at any point; Stanford felt that it did, and hoped than an "instantaneous" photograph would settle the matter once and for all. In May 1872 Muybridge photographed the horse "Occident", but without any great success because the current wet-collodion process normally required many seconds, even in a good light, for a good result. In April 1873 he managed to produce some better negatives, in which a recognizable silhouette of the horse showed all four feet above the ground at the same time.Soon after, Muybridge left his young wife, Flora, in San Francisco to go with the army sent to put down the revolt of the Modoc Indians. While he was busy photographing the scenery and the combatants, his wife had an affair with a Major Harry Larkyns. On his return, finding his wife pregnant, he had several confrontations with Larkyns, which culminated in his shooting him dead. At his trial for murder, in February 1875, Muybridge was acquitted by the jury on the grounds of justifiable homicide; he left soon after on a long trip to South America.He again took up his photographic work when he returned to North America and Stanford asked him to take up the action-photography project once more. Using a new shutter design he had developed while on his trip south, and which would operate in as little as 1/1,000 of a second, he obtained more detailed pictures of "Occident" in July 1877. He then devised a new scheme, which Stanford sponsored at his farm at Palo Alto. A 50 ft (15 m) long shed was constructed, containing twelve cameras side by side, and a white background marked off with vertical, numbered lines was set up. Each camera was fitted with Muybridge's highspeed shutter, which was released by an electromagnetic catch. Thin threads stretched across the track were broken by the horse as it moved along, closing spring electrical contacts which released each shutter in turn. Thus, in about half a second, twelve photographs were obtained that showed all the phases of the movement.Although the pictures were still little more than silhouettes, they were very sharp, and sequences published in scientific and photographic journals throughout the world excited considerable attention. By replacing the threads with an electrical commutator device, which allowed the release of the shutters at precise intervals, Muybridge was able to take series of actions by other animals and humans. From 1880 he lectured in America and Europe, projecting his results in motion on the screen with his Zoopraxiscope projector. In August 1883 he received a grant of $40,000 from the University of Pennsylvania to carry on his work there. Using the vastly improved gelatine dry-plate process and new, improved multiple-camera apparatus, during 1884 and 1885 he produced over 100,000 photographs, of which 20,000 were reproduced in Animal Locomotion in 1887. The subjects were animals of all kinds, and human figures, mostly nude, in a wide range of activities. The quality of the photographs was extremely good, and the publication attracted considerable attention and praise.Muybridge returned to England in 1894; his last publications were Animals in Motion (1899) and The Human Figure in Motion (1901). His influence on the world of art was enormous, over-turning the conventional representations of action hitherto used by artists. His work in pioneering the use of sequence photography led to the science of chronophotography developed by Marey and others, and stimulated many inventors, notably Thomas Edison to work which led to the introduction of cinematography in the 1890s.[br]Bibliography1887, Animal Locomotion, Philadelphia.1893, Descriptive Zoopraxography, Pennsylvania. 1899, Animals in Motion, London.1901, The Human Figure in Motion, London.Further Reading1973, Eadweard Muybridge: The Stanford Years, Stanford.G.Hendricks, 1975, Muybridge: The Father of the Motion Picture, New York. R.Haas, 1976, Muybridge: Man in Motion, California.B.Coe, 1992, Muybridge and the Chromophoto-graphers, London.BC -
20 Poniatoff, Alexander Mathew
[br]b. 25 March 1892 Kazan District, Russiad. 24 October 1980[br]Russian (naturalized American in 1932) electrical engineer responsible for the development of the professional tape recorder and the first commercially-successful video tape recorder (VTR).[br]Poniatoff was educated at the University of Kazan, the Imperial College in Moscow, and the Technische Hochschule in Karlsruhe, gaining degrees in mechanical and electrical engineering. He was in Germany when the First World War broke out, but he managed to escape back to Russia, where he served as an Air Force pilot with the Imperial Russian Navy. During the Russian Revolution he was a pilot with the White Russian Forces, and escaped into China in 1920; there he found work as an assistant engineer in the Shanghai Power Company. In 1927 he immigrated to the USA, becoming a US citizen in 1932. He obtained a post in the research and development department of the General Electric Company in Schenectady, New York, and later at Dalmo Victor, San Carlos, California. During the Second World War he was involved in the development of airborne radar for the US Navy.In 1944, taking his initials to form the title, Poniatoff founded the AMPEX Corporation to manufacture components for the airborne radar developed at General Electric, but in 1946 he turned to the production of audio tape recorders developed from the German wartime Telefunken Magnetophon machine (the first tape recorder in the truest sense). In this he was supported by the entertainer Bing Crosby, who needed high-quality replay facilities for broadcasting purposes, and in 1947 he was able to offer a professional-quality product and the business prospered.With the rapid post-war boom in television broadcasting in the USA, a need soon arose for a video recorder to provide "time-shifting" of live TV programmes between the different US time zones. Many companies therefore endeavoured to produce a video tape recorder (VTR) using the same single-track, fixed-head, longitudinal-scan system used for audio, but the very much higher bandwidth required involved an unacceptably high tape-speed. AMPEX attempted to solve the problem by using twelve parallel tracks and a machine was demonstrated in 1952, but it proved unsatisfactory.The development team, which included Charles Ginsburg and Ray Dolby, then devised a four-head transverse-scan system in which a quadruplex head rotating at 14,400 rpm was made to scan across the width of a 2 in. (5 cm) tape with a tape-to-head speed of the order of 160 ft/sec (about 110 mph; 49 m/sec or 176 km/h) but with a longitudinal tape speed of only 15 in./sec (0.38 m/sec). In this way, acceptable picture quality was obtained with an acceptable tape consumption. Following a public demonstration on 14 April 1956, commercial produc-tion of studio-quality machines began to revolutionize the production and distribution of TV programmes, and the perfecting of time-base correctors which could stabilize the signal timing to a few nanoseconds made colour VTRs a practical proposition. However, AMPEX did not rest on its laurels and in the face of emerging competition from helical scan machines, where the tracks are laid diagonally on the tape, the company was able to demonstrate its own helical machine in 1957. Another development was the Videofile system, in which 250,000 pages of facsimile could be recorded on a single tape, offering a new means of archiving information. By 1986, quadruplex VTRs were obsolete, but Poniatoff's role in making television recording possible deserves a place in history.Poniatoff was President of AMPEX Corporation until 1955 and then became Chairman of the Board, a position he held until 1970.[br]Further ReadingA.Abrahamson, 1953, "A short history of television recording", Part I, JSMPTE 64:73; 1973, Part II, Journal of the Society of Motion Picture and Television Engineers, 82:188 (provides a fuller background).Audio Biographies, 1961, ed. G.A.Briggs, Wharfedale Wireless Works, pp. 255–61 (contains a few personal details about Poniatoff's escape from Germany to join the Russian Navy).E.Larsen, 1971, A History of Invention.Charles Ginsburg, 1981, "The horse or the cowboy. Getting television on tape", Journal of the Royal Television Society 18:11 (a brief account of the AMPEX VTR story).KF / GB-NBiographical history of technology > Poniatoff, Alexander Mathew
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